Nathaniel
Gallant/
NG
Gallant/
NG
Writing on religion, aesthetics, politics. Japanese, Chinese, Tibetan to English translator. Facilitator of the In Translation workshop in DC.
Find my writing in NG, a newsletter on religion and art, and One Thing, a micro-blog on post-algorithmic culture.
Contact: nathaniel [at] nathanielgallant [.] com.
Find my writing in NG, a newsletter on religion and art, and One Thing, a micro-blog on post-algorithmic culture.
Contact: nathaniel [at] nathanielgallant [.] com.
Writing
“Hungry Ghosts of the Attention Economy: Philosopher Byung-Chul Han’s Theory of Buddhism and Burnout,” Tricycle: a Buddhist Review
“Journey to the West Reimagined: Searching for the Dharma in a literary ‘cabinet of curiosities’,” Tricycle: a Buddhist Review
“The Carving of Tradition: Shikō Munakata’s Woodblock Prints,” Tricycle: a Buddhist Review
"Ringing the Bell: Sandra Cisneros on Buddhism, Sexuality, and 'Buddhalupe,'" Tricycle: a Buddhist Review
"Wandering a Fictional Temple," Dirt
“Hungry Ghosts of the Attention Economy: Philosopher Byung-Chul Han’s Theory of Buddhism and Burnout,” Tricycle: a Buddhist Review
“Journey to the West Reimagined: Searching for the Dharma in a literary ‘cabinet of curiosities’,” Tricycle: a Buddhist Review
“The Carving of Tradition: Shikō Munakata’s Woodblock Prints,” Tricycle: a Buddhist Review
"Ringing the Bell: Sandra Cisneros on Buddhism, Sexuality, and 'Buddhalupe,'" Tricycle: a Buddhist Review
"Wandering a Fictional Temple," Dirt
Translation
Akutagawa Ryūnosuke’s “From Husband Number Four,” The Common
Excerpts from Kawaguchi Ekai’s A Travelogue in Tibet and Shaku Unshō’s On the National Doctrine of Japan in Buddhism and Modernity: Sources from Nineteenth-Century Japan, Hawaii UP
Nyogen Senzaki’s “Zen and Pragmatism,” Heart Mountain Bungei Translation Project
Nakai Masakazu’s “The Continuity of Spring,” in Japanese Film Theory, Yale UP (forthcoming)
Akutagawa Ryūnosuke’s “From Husband Number Four,” The Common
Excerpts from Kawaguchi Ekai’s A Travelogue in Tibet and Shaku Unshō’s On the National Doctrine of Japan in Buddhism and Modernity: Sources from Nineteenth-Century Japan, Hawaii UP
Nyogen Senzaki’s “Zen and Pragmatism,” Heart Mountain Bungei Translation Project
Nakai Masakazu’s “The Continuity of Spring,” in Japanese Film Theory, Yale UP (forthcoming)
Nathaniel Gallant / NG
Writing on religion, aesthetics, politics. Japanese, Chinese, Tibetan to English translator. Former editor at PRH, Kodansha, Tricycle.
Contact: nathaniel [at] nathanielgallant [.] com
Contact: nathaniel [at] nathanielgallant [.] com
Writing
“The Carving of Tradition: Shikō Munakata’s Woodblock Prints,” Tricycle: a Buddhist Review
“The Carving of Tradition: Shikō Munakata’s Woodblock Prints,” Tricycle: a Buddhist Review
Translation
Akutagawa Ryūnosuke’s “From Husband Number Four,” The Common
Excerpts from Kawaguchi Ekai’s A Travelogue in Tibet and Shaku Unshō’s On the National Doctrine of Japan in Buddhism and Modernity: Sources from Nineteenth-Century Japan, Hawaii UP
Nyogen Senzaki’s “Zen and Pragmatism,” Heart Mountain Bungei Translation Project
Nakai Masakazu’s “The Continuity of Spring,” in Japanese Film Theory, Yale UP (forthcoming)
Akutagawa Ryūnosuke’s “From Husband Number Four,” The Common
Excerpts from Kawaguchi Ekai’s A Travelogue in Tibet and Shaku Unshō’s On the National Doctrine of Japan in Buddhism and Modernity: Sources from Nineteenth-Century Japan, Hawaii UP
Nyogen Senzaki’s “Zen and Pragmatism,” Heart Mountain Bungei Translation Project
Nakai Masakazu’s “The Continuity of Spring,” in Japanese Film Theory, Yale UP (forthcoming)
©MMXXI